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    SUDESHNA SAHA (HALDER )                            

 -:Dance Teacher Info :-

Kathak Dance :(Ratna Visharad) MA 1st Class, Rabindra Nritya (Ratna Visharad) MA 1st Class, Nazrul Nritya : (Ratna Vishrad) MA 1st Class (GOLD MEDALIST), Bharat Nattayam : (Nritya  Vishrad ) Graduation 1st Class.

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Tabla, Guitar ,Singing , Kobita, Dawing  Etc

Affiliated By : ( Sarba Bharatiya Sangeet - o - Parisad Kolkata                                       & Prachin Kala Kendra , Chandigarh ) 

History Of Khattak Dance :-

It originated in the pashtun regions of present day Pakistan amongst the khattak tribe of Pashtuns. It is a varied form of Athan, or Attan which has been preserved in one of its earliest forms by members of the Khattak and other Pashtun tribes, including the Ghilzais. There are many regional variations of Athan. In traditional Pashtun areas, the dance Athena had the same definition and reverence attached to it as Pashtuns accord to Athan. Athena seems to appeared era while Athan survived in present eastern Afghanistan and north western Pakistan amongst Pashtuns

A journalist of Pashtun origin, Amanullah Ghilzai, traced the roots of Khattak to an ancient Greek dance. According to his theory, Khatak, or Athan, is one of the earliest forms of the ancient Greek dance, Athena. The Greeks brought this dance with them to Bactria. The Greeks had bequeathed the conventional dance for ancient Pashtun dominated regions when they had colonised this region for several centuries ago.In ancient Greece, Athena had the same definition and reverence attached to it as Pashtuns accord to Athan. Athena seems to have disappeared in Greece during the Christian era while Athan survived in Afghanistan and Pashtun parts of Pakistan. Kathak word derives from the Khattak. Since khattak tribe was the nearest tribe towards India it might have influenced Indian culture. Kathak is a form of dance of Hindus for telling tales of Gods with dance, music and singing

Details Of The Khattak Dance :-

Khattak style is deeply rooted during the Moghul period, where men performed this dance with their weapons in their hands. A Khattak dancer performs with the zeal of a hero, displaying his physical fitness through body movements, while holding one, two or even three swords at a time. Each sword weighs about 1 1⁄2 kilograms. The dance is a 5-step routine involving spins, with the swords crossed over their backs and elbows outward, or it can be performed with the swords out to the sides and typically attain half spin in place leading to a full spin. Depending on the rhythm of the beat, this spin can be completely reversed in full synchronicity. This dance is performed with the musician tuning the beat to the technique of the performers. It is performed very quickly, set to uptempo music featuring the piper, clarion, and drums beaten with sticks. Up to forty men dance together wielding swords or handkerchiefs and performing acrobatic feats. The fast tempo of Khattak distinguishes it from other attan, which start slowly and pick up speed as the dance progresses.



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